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| |
| |
|
| |
With live performances being
one of the main sources of income for musicians
these days, it's no secret how important touring
is. However, before you let your eagerness get
the best of you, there are several "reality
check" moments you need to be aware of
before going on your first tour. As you become
more well traveled and gain experience, these
lessons will become engrained in your head.
But when first starting out, you may not know
what to expect when it comes to life on the
road and performing on stages where no one knows
your name (yet!)
|
|
Often in the lead up to a performance,
novice singers and band members feel the strain;
running a band is a big commitment and requires
some strategic planning! All you have to do
is consider the main areas you want to cover
or things you want to achieve and send them
a timeline for the rehearsal. In a recent charity
event my band were very complimentary during
on stage interviews about the way I kept them
informed
|
|
It would be an extreme understatement
to say that local cover bands are not paid near
as much as they should be. There are many reasons
why bands do not make the money that they should
be, such as the bands not being worth the money
or that their song selection is mediocre. But
no decent venue will hire a band that they have
not previewed (throwing the song selection concept
out the window).
|
|
We've all heard of those infamous
band meetings where members arrive late only
to talk (and sometimes scream) about important
(and sometimes completely unimportant) matters
in a disorganized fashion. Just watch Metallica's
documentary, Some Kind of Monster, for a shocking
dose of band dysfunction.
|
|
All independent musicians at
some point are going to go through the process
of booking their own shows. This means identifying,
contacting, and performing at venues across
your hometown and beyond. But all venues are
not created equally. Sometimes it's because
the management is shady; other times it's because
the sound system will give you tinnitus. Either
way, you shouldn't play a show just for the
sake of playing a show, and you shouldn't book
a venue just because they'll have you.
|
|
Whenever you book a gig at
a fresh venue, you’re on a learning curve.
Circumstances are different in every room and
if you don’t know the deal, the night
can go off the rails before you hit the first
downbeat. As any well-gigged player will tell
you, gathering a little information ahead of
time can prevent some big headaches.
|
|
A band is simultaneously a
friendship, a collaborative partnership and
a business. Although it might be less personal
and intimate than a romantic relationship, it
is quite possibly more complicated. That's because
there are usually more than two people involved,
and everyone has an opinion. We are artists
after all, so being sensitive and having opinions
come with the territory of creating things.
|
|
Performing
live music is a nerve-racking experience. No
amount of singing in the mirror or head-banging
in the garage can quite prepare you for the
moment when the lights come up and you're there.
The center of attention. The subject of scrutiny.
"Here we are now, entertain us." Your
body language can convey a confidence in your
music that's contagious to your audience, but
can also betray self-doubt that will be perceived
just as acutely. It's your goal to put a room
at ease, whether that's them leaping into a
mosh pit with selfless abandon or applauding
politely at a seated jazz club. Here are six
notorious "tells" that can subtly
indicate that you’re actually feeling
more of a Woody Allen than a Buddy Holly underneath
those bright lights.
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
|
| |
With live performances being
one of the main sources of income for musicians
these days, it's no secret how important touring
is. However, before you let your eagerness get
the best of you, there are several "reality
check" moments you need to be aware of
before going on your first tour. As you become
more well traveled and gain experience, these
lessons will become engrained in your head.
But when first starting out, you may not know
what to expect when it comes to life on the
road and performing on stages where no one knows
your name (yet!)
|
|
Often in the lead up to a performance,
novice singers and band members feel the strain;
running a band is a big commitment and requires
some strategic planning! All you have to do
is consider the main areas you want to cover
or things you want to achieve and send them
a timeline for the rehearsal. In a recent charity
event my band were very complimentary during
on stage interviews about the way I kept them
informed
|
|
It would be an extreme understatement
to say that local cover bands are not paid near
as much as they should be. There are many reasons
why bands do not make the money that they should
be, such as the bands not being worth the money
or that their song selection is mediocre. But
no decent venue will hire a band that they have
not previewed (throwing the song selection concept
out the window).
|
|
We've all heard of those infamous
band meetings where members arrive late only
to talk (and sometimes scream) about important
(and sometimes completely unimportant) matters
in a disorganized fashion. Just watch Metallica's
documentary, Some Kind of Monster, for a shocking
dose of band dysfunction.
|
|
All independent musicians at
some point are going to go through the process
of booking their own shows. This means identifying,
contacting, and performing at venues across
your hometown and beyond. But all venues are
not created equally. Sometimes it's because
the management is shady; other times it's because
the sound system will give you tinnitus. Either
way, you shouldn't play a show just for the
sake of playing a show, and you shouldn't book
a venue just because they'll have you.
|
|
Whenever you book a gig at
a fresh venue, you’re on a learning curve.
Circumstances are different in every room and
if you don’t know the deal, the night
can go off the rails before you hit the first
downbeat. As any well-gigged player will tell
you, gathering a little information ahead of
time can prevent some big headaches.
|
|
A band is simultaneously a
friendship, a collaborative partnership and
a business. Although it might be less personal
and intimate than a romantic relationship, it
is quite possibly more complicated. That's because
there are usually more than two people involved,
and everyone has an opinion. We are artists
after all, so being sensitive and having opinions
come with the territory of creating things.
|
|
Performing
live music is a nerve-racking experience. No
amount of singing in the mirror or head-banging
in the garage can quite prepare you for the
moment when the lights come up and you're there.
The center of attention. The subject of scrutiny.
"Here we are now, entertain us." Your
body language can convey a confidence in your
music that's contagious to your audience, but
can also betray self-doubt that will be perceived
just as acutely. It's your goal to put a room
at ease, whether that's them leaping into a
mosh pit with selfless abandon or applauding
politely at a seated jazz club. Here are six
notorious "tells" that can subtly
indicate that you’re actually feeling
more of a Woody Allen than a Buddy Holly underneath
those bright lights.
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
|
| |
With live performances being
one of the main sources of income for musicians
these days, it's no secret how important touring
is. However, before you let your eagerness get
the best of you, there are several "reality
check" moments you need to be aware of
before going on your first tour. As you become
more well traveled and gain experience, these
lessons will become engrained in your head.
But when first starting out, you may not know
what to expect when it comes to life on the
road and performing on stages where no one knows
your name (yet!)
|
|
The experience
of playing your very first show is likely to
send your nerves into overdrive. Pre-gig anxiety
is somewhat inevitable. Planning the show as
a brand-new band, though, doesn't have to be
so riddled with worry. If you're fearful of
looking inexperienced or unprofessional, don't
be.In terms of booking and the relationships
you develop with venues and talent buyers, it's
far better to ask questions first, rather than
ask forgiveness later. In fact, the folks in
charge will likely appreciate your efforts to
ensure a problem-free show.
|
|
Often in the lead up to a performance,
novice singers and band members feel the strain;
running a band is a big commitment and requires
some strategic planning! All you have to do
is consider the main areas you want to cover
or things you want to achieve and send them
a timeline for the rehearsal. In a recent charity
event my band were very complimentary during
on stage interviews about the way I kept them
informed
|
|
It would be an extreme understatement
to say that local cover bands are not paid near
as much as they should be. There are many reasons
why bands do not make the money that they should
be, such as the bands not being worth the money
or that their song selection is mediocre. But
no decent venue will hire a band that they have
not previewed (throwing the song selection concept
out the window).
|
|
We've all heard of those infamous
band meetings where members arrive late only
to talk (and sometimes scream) about important
(and sometimes completely unimportant) matters
in a disorganized fashion. Just watch Metallica's
documentary, Some Kind of Monster, for a shocking
dose of band dysfunction.
|
|
All independent musicians at
some point are going to go through the process
of booking their own shows. This means identifying,
contacting, and performing at venues across
your hometown and beyond. But all venues are
not created equally. Sometimes it's because
the management is shady; other times it's because
the sound system will give you tinnitus. Either
way, you shouldn't play a show just for the
sake of playing a show, and you shouldn't book
a venue just because they'll have you.
|
|
Whenever you book a gig at
a fresh venue, you’re on a learning curve.
Circumstances are different in every room and
if you don’t know the deal, the night
can go off the rails before you hit the first
downbeat. As any well-gigged player will tell
you, gathering a little information ahead of
time can prevent some big headaches.
|
|
A band is simultaneously a
friendship, a collaborative partnership and
a business. Although it might be less personal
and intimate than a romantic relationship, it
is quite possibly more complicated. That's because
there are usually more than two people involved,
and everyone has an opinion. We are artists
after all, so being sensitive and having opinions
come with the territory of creating things.
|
|
Performing
live music is a nerve-racking experience. No
amount of singing in the mirror or head-banging
in the garage can quite prepare you for the
moment when the lights come up and you're there.
The center of attention. The subject of scrutiny.
"Here we are now, entertain us." Your
body language can convey a confidence in your
music that's contagious to your audience, but
can also betray self-doubt that will be perceived
just as acutely. It's your goal to put a room
at ease, whether that's them leaping into a
mosh pit with selfless abandon or applauding
politely at a seated jazz club. Here are six
notorious "tells" that can subtly
indicate that you’re actually feeling
more of a Woody Allen than a Buddy Holly underneath
those bright lights.
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
|
|
It would be an extreme understatement
to say that local cover bands are not paid near as
much as they should be. There are many reasons why
bands do not make the money that they should be, such
as the bands not being worth the money or that their
song selection is mediocre. But no decent venue will
hire a band that they have not previewed (throwing
the song selection concept out the window).
|
|
We've all heard of those infamous
band meetings where members arrive late only to talk
(and sometimes scream) about important (and sometimes
completely unimportant) matters in a disorganized
fashion. Just watch Metallica's documentary, Some
Kind of Monster, for a shocking dose of band dysfunction.
|
|
All independent musicians at some
point are going to go through the process of booking
their own shows. This means identifying, contacting,
and performing at venues across your hometown and
beyond. But all venues are not created equally. Sometimes
it's because the management is shady; other times
it's because the sound system will give you tinnitus.
Either way, you shouldn't play a show just for the
sake of playing a show, and you shouldn't book a venue
just because they'll have you.
|
|
Are you a guitar or bass player looking
for an instrument that will give you the classic feel
of a vintage with custom features only found in some
of the most high end custom shop models? Usually this
may involve a price tag high enough to buy yourself
a new car. Whether you are a musician on a budget
or just looking for a great instrument that will play
like a dream right from the first time... then you
need to check this out.
|
|
Whenever you book a gig at a fresh
venue, you’re on a learning curve. Circumstances
are different in every room and if you don’t
know the deal, the night can go off the rails before
you hit the first downbeat. As any well-gigged player
will tell you, gathering a little information ahead
of time can prevent some big headaches.
|
|
A band is simultaneously a friendship,
a collaborative partnership and a business. Although
it might be less personal and intimate than a romantic
relationship, it is quite possibly more complicated.
That's because there are usually more than two people
involved, and everyone has an opinion. We are artists
after all, so being sensitive and having opinions
come with the territory of creating things.
|
|
Performing live music
is a nerve-racking experience. No amount of singing
in the mirror or head-banging in the garage can quite
prepare you for the moment when the lights come up
and you're there. The center of attention. The subject
of scrutiny. "Here we are now, entertain us."
Your body language can convey a confidence in your
music that's contagious to your audience, but can
also betray self-doubt that will be perceived just
as acutely. It's your goal to put a room at ease,
whether that's them leaping into a mosh pit with selfless
abandon or applauding politely at a seated jazz club.
Here are six notorious "tells" that can
subtly indicate that you’re actually feeling
more of a Woody Allen than a Buddy Holly underneath
those bright lights.
|
|
Try to avoid these deadly mistakes.
Your fans will apprceiate it
|
|
Some people are born with an innate
sense of confidence that they carry with them through
life. For others, confidence is trait that has to
be won in battle. Among all of the talent that exists
in the world and the unfortunate realities of the
music industry, it's easy for somebody who doesn't
have innate confidence to feel intimidated. Below
are six tips on what to do when your confidence starts
to falter, and what you can do to improve the confidence
you already have.
|
|
Too many people fail to see the bigger
picture of life as a musician and the miserable state
of the industry. If you are one of these people and
catch yourself feeling in some way cheerful, stop
right away and follow this simple 12 step plan to
guarantee your return to a completely horrid existence
on this miserable rock. Warning: Contains strong language.
If you don’t like that, then you should probably
still read on anyway as it will just give you more
reasons to be pissed off.
|
|
|
Maybe you’re just not
that good. Sorry. Most bands aren’t. Most
bands are starry eyed and spend more time bitching
about the breaks they’re not getting than
in the rehearsal space tightening their show.
Get good first. Record your rehearsals AND your
shows. Do you LOVE listening to your live set?
If not, then why do you think other people will?
I’ve been in the room with bands who listen
back to their shows recorded from the board
and they actually hear how shitty they sounded.
How off key they sang. How the bassist missed
the bridge. How the harmonies were off. But
they pass it off as a bad board mix. This is
sad. Get your shit together. Double your rehearsal
schedule and double your at home practice time.
|
|
We've all heard of those infamous
band meetings where members arrive late only
to talk (and sometimes scream) about important
(and sometimes completely unimportant) matters
in a disorganized fashion. Just watch Metallica's
documentary, Some Kind of Monster, for a shocking
dose of band dysfunction.
|
|
All independent musicians at
some point are going to go through the process
of booking their own shows. This means identifying,
contacting, and performing at venues across
your hometown and beyond. But all venues are
not created equally. Sometimes it's because
the management is shady; other times it's because
the sound system will give you tinnitus. Either
way, you shouldn't play a show just for the
sake of playing a show, and you shouldn't book
a venue just because they'll have you.
|
|
Are you a guitar or bass player
looking for an instrument that will give you
the classic feel of a vintage with custom features
only found in some of the most high end custom
shop models? Usually this may involve a price
tag high enough to buy yourself a new car. Whether
you are a musician on a budget or just looking
for a great instrument that will play like a
dream right from the first time... then you
need to check this out.
|
|
Whenever you book a gig at
a fresh venue, you’re on a learning curve.
Circumstances are different in every room and
if you don’t know the deal, the night
can go off the rails before you hit the first
downbeat. As any well-gigged player will tell
you, gathering a little information ahead of
time can prevent some big headaches.
|
|
A band is simultaneously a
friendship, a collaborative partnership and
a business. Although it might be less personal
and intimate than a romantic relationship, it
is quite possibly more complicated. That's because
there are usually more than two people involved,
and everyone has an opinion. We are artists
after all, so being sensitive and having opinions
come with the territory of creating things.
|
|
Performing
live music is a nerve-racking experience. No
amount of singing in the mirror or head-banging
in the garage can quite prepare you for the
moment when the lights come up and you're there.
The center of attention. The subject of scrutiny.
"Here we are now, entertain us." Your
body language can convey a confidence in your
music that's contagious to your audience, but
can also betray self-doubt that will be perceived
just as acutely. It's your goal to put a room
at ease, whether that's them leaping into a
mosh pit with selfless abandon or applauding
politely at a seated jazz club. Here are six
notorious "tells" that can subtly
indicate that you’re actually feeling
more of a Woody Allen than a Buddy Holly underneath
those bright lights.
|
|
Try to avoid these deadly mistakes.
Your fans will apprceiate it
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
|
|
Somewhere in your home town
this weekend, the latest up-and-coming noise-psyche-garage-doom
band will blaze through a set of original material
for a half-empty basement of glass-eyed twenty-somethings.
Meanwhile, across town, Better than Better than
Ezra -- a fictional band, feel free to take
the name -- is trudging through Pixies’
“Where is My Mind” for a bar full
of people who couldn’t be more thrilled
to hear one of their favorite songs.
|
|
Sometimes soundchecks
are quick and dirty. A total of 15 minutes to
set up, do the "check 1, check 2"
thing and then you're already launching into
your first set. This means: No one can hear
themselves. No one can hear anyone else. No
one has a clue if the sound in the house is
any good. The enjoyment factor is significantly
lower. The reality is that the majority of gigs
are in locations where setup and sound check
happen while patrons are munching on nachos
and chicken wings, and time is compressed.
|
|
When you desire
to improve upon a skill, regardless of what
the skill is, consistency is key. Practicing
your instrument for 90 minutes every day will
produce much better results than trying to fit
six hours of practice into two days per week.
This holds true for every aspect of the music
industry. Consistent, daily work will be much
more efficient and keep you much more sane than
trying to fit a week's worth of work into your
single day off.I've got a number of tasks that
I try to invest time into on a daily basis.
Though everybody's priorities and daily schedules
will vary, here are a few ideas to get you thinking
about what you should be doing every day.
|
|
Odds are good
that the person working sound at your next local
gig — positioning mics, balancing the
mix, tweaking your monitors — is a musician
just like you. But players don’t always
treat them as one of their own, even though
the sound engineer is a critical extension of
the band in a live situation. Here are the top
wishes and pet peeves from behind the board,
as learned through countless shows and actually
taking the time to talk to engineers. Make sure
your gear is in good working order. Know before
you go that all of your equipment is performance-ready.
It’s not the sound engineer’s job
to bail you out before or during a set, and
you can’t expect them to have a stock
of cables, batteries or spare drumsticks if
you left things at home. Performing musicians
should always have backup on hand.
|
|
When you are
in charge of a group of people, there are several
responsibilities that fall on your shoulders.
If you've never been in a management position
or haven't had any business training, this can
be a challenging endeavor. The truth is that
it's really not all that difficult, as long
as you know what to do. The most successful
leaders in any capacity practice certain fundamentals
that have proven to be repeatedly effective.
It may seem like a lot to remember, but you'll
find that the majority of the responsibility
as a leader will involve troubleshooting and
problem solving. This is the real world, and
that's the reality. You'll have much more success
dealing with all of the variables that come
into play if you first commit to having the
basics covered
|
|
You get a call or text that
you’re needed to fill in with a band you’ve
never played with before. Naturally, you try
to get all the information you’ll need;
compensation, songs, style, time and place.
You may even get a rehearsal with the group.
Despite all your efforts to prepare, you can’t
avoid some unexpected twists. Here’s five
common surprises that happen when you are subbing
on a gig.
|
|
It's tempting, especially as
a new band, to say yes to every show you're
offered. You want to take advantage of every
opportunity you get to make a mark in your local
scene. But even groups just starting out can't
or shouldn't accept every gig they're extended.
Sometimes a show can actually be detrimental
to your efforts.
|
|
Try to avoid these deadly mistakes.
Your fans will apprceiate it
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
|
|
When his father
noticed his son’s abilities, he gave him
the Stevie Ray Vaughan album "Texas Flood"
and told him, "If you're going to play
guitar, play it like that” after listening
to the album that, that is what JL wanted to
do with his life and has stuck with guitar ever
since. At one time he considered being a professional
golfer when younger and also studied mechanical
engineering a little bit in college. But always
knew that he was a performer. It's one of those
things he just knew he was born to do.
|
|
When you are
in charge of a group of people, there are several
responsibilities that fall on your shoulders.
If you've never been in a management position
or haven't had any business training, this can
be a challenging endeavor. The truth is that
it's really not all that difficult, as long
as you know what to do. The most successful
leaders in any capacity practice certain fundamentals
that have proven to be repeatedly effective.
It may seem like a lot to remember, but you'll
find that the majority of the responsibility
as a leader will involve troubleshooting and
problem solving. This is the real world, and
that's the reality. You'll have much more success
dealing with all of the variables that come
into play if you first commit to having the
basics covered
|
|
You get a call or text that
you’re needed to fill in with a band you’ve
never played with before. Naturally, you try
to get all the information you’ll need;
compensation, songs, style, time and place.
You may even get a rehearsal with the group.
Despite all your efforts to prepare, you can’t
avoid some unexpected twists. Here’s five
common surprises that happen when you are subbing
on a gig.
|
|
It's tempting, especially as
a new band, to say yes to every show you're
offered. You want to take advantage of every
opportunity you get to make a mark in your local
scene. But even groups just starting out can't
or shouldn't accept every gig they're extended.
Sometimes a show can actually be detrimental
to your efforts.
|
|
Try to avoid these deadly mistakes.
Your fans will apprceiate it
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
Never leave
promotion to the other guy. Depending on your
point of view don't count on the label, band
or publicist to do their jobs. Do it yourself
or it may not get done. Know your niche market(s)
or hire/befriend someone who does.Always think
of the fans first when making Decisions. Start
early. Pre-promote. It allows time for viral
buzz (aka free promotion) to build and ensures
you’ll get you a larger share of a discretionary
spending.Take the time and spend the money to
get a great publicist to get free media.
|
|
The key to singing high notes
(once diaphragmatic support is established)
this to concentrate first time support then
on vowel placement. Each vowel has a specific
resting place in the throat. A “pocket”
so to speak. It is important to find these pockets
with the least amount of pressure or strain.
You will find that once you experience what
I like to refer to as the amphitheaters in the
back of your throat that it’s not about
a note value at all. It’s about support
and placement.
|
|
|
|
It doesn’t
take a big-shot music executive or a statistician
to see that the music industry is in a major
period of upheaval. Sales of recorded music
are at or near all-time lows, digital downloads
and concert revenues aren’t doing enough
to stop the bleeding, and technology has made
recording and sharing music easier than ever,
driving up competition in an already traditionally
competitive industry.
|
|
When you are
in charge of a group of people, there are several
responsibilities that fall on your shoulders.
If you've never been in a management position
or haven't had any business training, this can
be a challenging endeavor. The truth is that
it's really not all that difficult, as long
as you know what to do. The most successful
leaders in any capacity practice certain fundamentals
that have proven to be repeatedly effective.
It may seem like a lot to remember, but you'll
find that the majority of the responsibility
as a leader will involve troubleshooting and
problem solving. This is the real world, and
that's the reality. You'll have much more success
dealing with all of the variables that come
into play if you first commit to having the
basics covered
|
|
You get a call or text that
you’re needed to fill in with a band you’ve
never played with before. Naturally, you try
to get all the information you’ll need;
compensation, songs, style, time and place.
You may even get a rehearsal with the group.
Despite all your efforts to prepare, you can’t
avoid some unexpected twists. Here’s five
common surprises that happen when you are subbing
on a gig.
|
|
It's tempting, especially as
a new band, to say yes to every show you're
offered. You want to take advantage of every
opportunity you get to make a mark in your local
scene. But even groups just starting out can't
or shouldn't accept every gig they're extended.
Sometimes a show can actually be detrimental
to your efforts.
|
|
Try to avoid these deadly mistakes.
Your fans will apprceiate it
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
Never leave
promotion to the other guy. Depending on your
point of view don't count on the label, band
or publicist to do their jobs. Do it yourself
or it may not get done. Know your niche market(s)
or hire/befriend someone who does.Always think
of the fans first when making Decisions. Start
early. Pre-promote. It allows time for viral
buzz (aka free promotion) to build and ensures
you’ll get you a larger share of a discretionary
spending.Take the time and spend the money to
get a great publicist to get free media.
|
|
The key to singing high notes
(once diaphragmatic support is established)
this to concentrate first time support then
on vowel placement. Each vowel has a specific
resting place in the throat. A “pocket”
so to speak. It is important to find these pockets
with the least amount of pressure or strain.
You will find that once you experience what
I like to refer to as the amphitheaters in the
back of your throat that it’s not about
a note value at all. It’s about support
and placement.
|
|
|
Improving a career in music is easily
attainable using simple concepts in your everyday
affairs. When these three concepts here are used your
ability to get jobs will improve a lot. You will come
across as a professional and put people at ease when
a task is given to you. Remember, the most important
part is implementing these tips into your everyday
life.
|
|
Before the internet, you would have
to cold-call places out of the phone book and hit
the pavement in whatever weather to gain new prospects.
Or even mail out mass quantities of post cards in
order to get your brand in front of the masses. Now
that we have the ability to reach online, one flyer
posted on a social media website like Facebook or
Instagram can reach a town's worth of people. This
makes networking a whole lot easier than it once was.
|
|
The dream goal of most musicians
is to get an illustrious record deal from a major
recording label. But what most don't know is that
record deals come in a range options and can often
be confusing for neophyte artist (and some legends
who should know better!!).In order to forge through
the music business, knowing the types of agreements,
some legal terms and insider jargon, will certainly
be a great asset when the opportunity for that recording
contracting is on the table.
|
|
A raving, loyal fan base, premium
high priced gigs and worldwide recognition. Isn't
that what all bands and musicians hope and pray for?
Of course it is. If they're honest... But these are
just some of the surface rewards of what an effective
band promotions campaign can do for you. The deeper
satisfaction of knowing you can be a full time musician
without having to slave away at a 9-5 is where the
REAL satisfaction comes from.
|
|
It kinda sucks, and I've even been
guilty of this sin as well, but when most musicians
and music business "experts" discuss how
to market a band, they tend to turn into corporate
slinging business monsters. I'm sure you've heard
it before - and probably more than once or twice from
me - you've got to treat your music like a business.
It's the only way you'll find any success in the incredibly
competitive music industry. The bottom line is that
although this can sometimes take the fun out of being
a musician, it's 100% bang-on true. But... the good
news is the methods you use to market your music don't
necessarily have to be boring and they're certainly
not difficult to put into action.
|
|
|
It's tempting, especially as
a new band, to say yes to every show you're
offered. You want to take advantage of every
opportunity you get to make a mark in your local
scene. But even groups just starting out can't
or shouldn't accept every gig they're extended.
Sometimes a show can actually be detrimental
to your efforts.
|
|
Try to avoid these deadly mistakes.
Your fans will apprceiate it
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Musicians know that it’s
a drag. But is it even legal? We have minimum
wage laws and other worker protections mandated
by law. Why aren’t musicians granted these
same rights? How do they get away with it?Venue
owners ask musicians to play for free. And many
performers, desperate for an opportunity to
showcase their skills, agree to do just that.
I don’t blame the musicians. In most instances,
they struggle to survive and have to grasp at
any opportunity, however meager. But the owners
are a different matter.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
Never leave
promotion to the other guy. Depending on your
point of view don't count on the label, band
or publicist to do their jobs. Do it yourself
or it may not get done. Know your niche market(s)
or hire/befriend someone who does.Always think
of the fans first when making Decisions. Start
early. Pre-promote. It allows time for viral
buzz (aka free promotion) to build and ensures
you’ll get you a larger share of a discretionary
spending.Take the time and spend the money to
get a great publicist to get free media.
|
|
Artists can develop relationships
with local sellers and national manufacturers
and get Live show promotion, Free merchandise,
and Credibility in the eyes of the public, as
well as in the eyes of club bookers who might
be interested in having that artist perform.
|
|
The key to singing high notes
(once diaphragmatic support is established)
this to concentrate first time support then
on vowel placement. Each vowel has a specific
resting place in the throat. A “pocket”
so to speak. It is important to find these pockets
with the least amount of pressure or strain.
You will find that once you experience what
I like to refer to as the amphitheaters in the
back of your throat that it’s not about
a note value at all. It’s about support
and placement.
|
|
The ascent
of the concert technician reflects a seismic
shift in the economics of the music industry.
As concerts and festivals increasingly become
a vital source of profits, cultural “middlemen”—label
executives, talent scouts and other traditional
tastemakers—are losing clout, experts
say. Technical middlemen—artist managers,
concert promoters, festival organizers, and
social-media promoters, as well as DJs and roadies
who mix sound at shows—are gaining it.
|
|
Follow these
steps and maybe you will see a change in the
results. Pay it forward and keep your eyes on
the end goal!
|
|
Your press photos help define
who you are as an artist. Poor quality, generic,
or uninteresting photos generally get the same
type of preconceptions with the music (quality,
marketability, etc.) Local media love featuring
artists, but won’t include photographs
unless they are captivating or interested. It
would be nice to say that it’s all about
the music but the first impression drawn is
almost always from the photos (they come up
on any website and I end up staring at the photos
until the music starts up). Like anything else
you do with your career, you want something
that stands out. You want it to reflect yourself
and your band. You want good quality.
|
|
|
|
Try to avoid these deadly mistakes.
Your fans will apprceiate it
|
|
Some people are born with an
innate sense of confidence that they carry with
them through life. For others, confidence is
trait that has to be won in battle. Among all
of the talent that exists in the world and the
unfortunate realities of the music industry,
it's easy for somebody who doesn't have innate
confidence to feel intimidated. Below are six
tips on what to do when your confidence starts
to falter, and what you can do to improve the
confidence you already have.
|
|
Musicians know that it’s
a drag. But is it even legal? We have minimum
wage laws and other worker protections mandated
by law. Why aren’t musicians granted these
same rights? How do they get away with it?Venue
owners ask musicians to play for free. And many
performers, desperate for an opportunity to
showcase their skills, agree to do just that.
I don’t blame the musicians. In most instances,
they struggle to survive and have to grasp at
any opportunity, however meager. But the owners
are a different matter.
|
|
Too many people fail to see
the bigger picture of life as a musician and
the miserable state of the industry. If you
are one of these people and catch yourself feeling
in some way cheerful, stop right away and follow
this simple 12 step plan to guarantee your return
to a completely horrid existence on this miserable
rock. Warning: Contains strong language. If
you don’t like that, then you should probably
still read on anyway as it will just give you
more reasons to be pissed off.
|
|
Never leave
promotion to the other guy. Depending on your
point of view don't count on the label, band
or publicist to do their jobs. Do it yourself
or it may not get done. Know your niche market(s)
or hire/befriend someone who does.Always think
of the fans first when making Decisions. Start
early. Pre-promote. It allows time for viral
buzz (aka free promotion) to build and ensures
you’ll get you a larger share of a discretionary
spending.Take the time and spend the money to
get a great publicist to get free media.
|
|
Artists can develop relationships
with local sellers and national manufacturers
and get Live show promotion, Free merchandise,
and Credibility in the eyes of the public, as
well as in the eyes of club bookers who might
be interested in having that artist perform.
|
|
The key to singing high notes
(once diaphragmatic support is established)
this to concentrate first time support then
on vowel placement. Each vowel has a specific
resting place in the throat. A “pocket”
so to speak. It is important to find these pockets
with the least amount of pressure or strain.
You will find that once you experience what
I like to refer to as the amphitheaters in the
back of your throat that it’s not about
a note value at all. It’s about support
and placement.
|
|
The ascent
of the concert technician reflects a seismic
shift in the economics of the music industry.
As concerts and festivals increasingly become
a vital source of profits, cultural “middlemen”—label
executives, talent scouts and other traditional
tastemakers—are losing clout, experts
say. Technical middlemen—artist managers,
concert promoters, festival organizers, and
social-media promoters, as well as DJs and roadies
who mix sound at shows—are gaining it.
|
|
Follow these
steps and maybe you will see a change in the
results. Pay it forward and keep your eyes on
the end goal!
|
|
Your press photos help define
who you are as an artist. Poor quality, generic,
or uninteresting photos generally get the same
type of preconceptions with the music (quality,
marketability, etc.) Local media love featuring
artists, but won’t include photographs
unless they are captivating or interested. It
would be nice to say that it’s all about
the music but the first impression drawn is
almost always from the photos (they come up
on any website and I end up staring at the photos
until the music starts up). Like anything else
you do with your career, you want something
that stands out. You want it to reflect yourself
and your band. You want good quality.
|
|
|
Improving a career in music is easily
attainable using simple concepts in your everyday
affairs. When these three concepts here are used your
ability to get jobs will improve a lot. You will come
across as a professional and put people at ease when
a task is given to you. Remember, the most important
part is implementing these tips into your everyday
life.
|
|
Before the internet, you would have
to cold-call places out of the phone book and hit
the pavement in whatever weather to gain new prospects.
Or even mail out mass quantities of post cards in
order to get your brand in front of the masses. Now
that we have the ability to reach online, one flyer
posted on a social media website like Facebook or
Instagram can reach a town's worth of people. This
makes networking a whole lot easier than it once was.
|
|
The dream goal of most musicians
is to get an illustrious record deal from a major
recording label. But what most don't know is that
record deals come in a range options and can often
be confusing for neophyte artist (and some legends
who should know better!!).In order to forge through
the music business, knowing the types of agreements,
some legal terms and insider jargon, will certainly
be a great asset when the opportunity for that recording
contracting is on the table.
|
|
A raving, loyal fan base, premium
high priced gigs and worldwide recognition. Isn't
that what all bands and musicians hope and pray for?
Of course it is. If they're honest... But these are
just some of the surface rewards of what an effective
band promotions campaign can do for you. The deeper
satisfaction of knowing you can be a full time musician
without having to slave away at a 9-5 is where the
REAL satisfaction comes from.
|
|
It kinda sucks, and I've even been
guilty of this sin as well, but when most musicians
and music business "experts" discuss how
to market a band, they tend to turn into corporate
slinging business monsters. I'm sure you've heard
it before - and probably more than once or twice from
me - you've got to treat your music like a business.
It's the only way you'll find any success in the incredibly
competitive music industry. The bottom line is that
although this can sometimes take the fun out of being
a musician, it's 100% bang-on true. But... the good
news is the methods you use to market your music don't
necessarily have to be boring and they're certainly
not difficult to put into action.
|
|
|
What many promise, but few
can guarantee is what the loud and proud WHITESNAKE
have always delivered and with their 12th studio
opus The PURPLE Album once again their hard
core fans are about to be surprised again by
the ‘SNAKE. All the songs on the new album
are presented as a respectful tribute to his
former colleagues & pay homage to the band
who started him on an amazing musical journey
over 40 years ago that continues today.
|
|
Check out some great tips to help you getthe
most from your practice time. There is a logical
way that you can get more out of the time you
spend
|
|
Sometimes, it’s easy
to slack off. Getting stuck in a rut can happen
to many artists, unfortunately, but this can
often mean death to a budding music career.
Here are a list of five areas that will allow
you and your band to improve on your live music
performance, as well as your offstage careers!
Listen to more music, too! There’s an
entire world of music to explore, and you never
know when you’ll come across something
in the archives that will inspire you to make
your next great hit. Too many bands fall into
a rut, writing the same basic songs over and
over.
|
|
Never leave
promotion to the other guy. Depending on your
point of view don't count on the label, band
or publicist to do their jobs. Do it yourself
or it may not get done. Know your niche market(s)
or hire/befriend someone who does.Always think
of the fans first when making Decisions. Start
early. Pre-promote. It allows time for viral
buzz (aka free promotion) to build and ensures
you’ll get you a larger share of a discretionary
spending.Take the time and spend the money to
get a great publicist to get free media.
|
|
Artists can develop relationships
with local sellers and national manufacturers
and get Live show promotion, Free merchandise,
and Credibility in the eyes of the public, as
well as in the eyes of club bookers who might
be interested in having that artist perform.
|
|
The key to singing high notes
(once diaphragmatic support is established)
this to concentrate first time support then
on vowel placement. Each vowel has a specific
resting place in the throat. A “pocket”
so to speak. It is important to find these pockets
with the least amount of pressure or strain.
You will find that once you experience what
I like to refer to as the amphitheaters in the
back of your throat that it’s not about
a note value at all. It’s about support
and placement.
|
|
The ascent
of the concert technician reflects a seismic
shift in the economics of the music industry.
As concerts and festivals increasingly become
a vital source of profits, cultural “middlemen”—label
executives, talent scouts and other traditional
tastemakers—are losing clout, experts
say. Technical middlemen—artist managers,
concert promoters, festival organizers, and
social-media promoters, as well as DJs and roadies
who mix sound at shows—are gaining it.
|
|
Let’s imagine you and
your musician friends want to host a special
performance at your home. You are sitting down
to plan this event and begin thinking about
this really great restaurant that would provide
excellent wine and hors d’oeuvres for
all of the guests. It’s a newer joint
in the neighborhood; you’ve been there
before and really dig the food. So you call
up the place and get the owner on the phone,
asking him if he’d like to come cater
his wine and food at your gig. The guy agrees
right away, desperate and excited for this new
opportunity.
|
|
Follow these
steps and maybe you will see a change in the
results. Pay it forward and keep your eyes on
the end goal!
|
|
Your press photos help define
who you are as an artist. Poor quality, generic,
or uninteresting photos generally get the same
type of preconceptions with the music (quality,
marketability, etc.) Local media love featuring
artists, but won’t include photographs
unless they are captivating or interested. It
would be nice to say that it’s all about
the music but the first impression drawn is
almost always from the photos (they come up
on any website and I end up staring at the photos
until the music starts up). Like anything else
you do with your career, you want something
that stands out. You want it to reflect yourself
and your band. You want good quality.
|
|
|
Improving a career in music is easily
attainable using simple concepts in your everyday
affairs. When these three concepts here are used your
ability to get jobs will improve a lot. You will come
across as a professional and put people at ease when
a task is given to you. Remember, the most important
part is implementing these tips into your everyday
life.
|
|
Before the internet, you would have
to cold-call places out of the phone book and hit
the pavement in whatever weather to gain new prospects.
Or even mail out mass quantities of post cards in
order to get your brand in front of the masses. Now
that we have the ability to reach online, one flyer
posted on a social media website like Facebook or
Instagram can reach a town's worth of people. This
makes networking a whole lot easier than it once was.
|
|
The dream goal of most musicians
is to get an illustrious record deal from a major
recording label. But what most don't know is that
record deals come in a range options and can often
be confusing for neophyte artist (and some legends
who should know better!!).In order to forge through
the music business, knowing the types of agreements,
some legal terms and insider jargon, will certainly
be a great asset when the opportunity for that recording
contracting is on the table.
|
|
A raving, loyal fan base, premium
high priced gigs and worldwide recognition. Isn't
that what all bands and musicians hope and pray for?
Of course it is. If they're honest... But these are
just some of the surface rewards of what an effective
band promotions campaign can do for you. The deeper
satisfaction of knowing you can be a full time musician
without having to slave away at a 9-5 is where the
REAL satisfaction comes from.
|
|
It kinda sucks, and I've even been
guilty of this sin as well, but when most musicians
and music business "experts" discuss how
to market a band, they tend to turn into corporate
slinging business monsters. I'm sure you've heard
it before - and probably more than once or twice from
me - you've got to treat your music like a business.
It's the only way you'll find any success in the incredibly
competitive music industry. The bottom line is that
although this can sometimes take the fun out of being
a musician, it's 100% bang-on true. But... the good
news is the methods you use to market your music don't
necessarily have to be boring and they're certainly
not difficult to put into action.
|
|
|
Never leave
promotion to the other guy. Depending on your
point of view don't count on the label, band
or publicist to do their jobs. Do it yourself
or it may not get done. Know your niche market(s)
or hire/befriend someone who does.Always think
of the fans first when making Decisions. Start
early. Pre-promote. It allows time for viral
buzz (aka free promotion) to build and ensures
you’ll get you a larger share of a discretionary
spending.Take the time and spend the money to
get a great publicist to get free media.
|
|
Artists can develop relationships
with local sellers and national manufacturers
and get Live show promotion, Free merchandise,
and Credibility in the eyes of the public, as
well as in the eyes of club bookers who might
be interested in having that artist perform.
|
|
The key to singing high notes
(once diaphragmatic support is established)
this to concentrate first time support then
on vowel placement. Each vowel has a specific
resting place in the throat. A “pocket”
so to speak. It is important to find these pockets
with the least amount of pressure or strain.
You will find that once you experience what
I like to refer to as the amphitheaters in the
back of your throat that it’s not about
a note value at all. It’s about support
and placement.
|
|
The ascent
of the concert technician reflects a seismic
shift in the economics of the music industry.
As concerts and festivals increasingly become
a vital source of profits, cultural “middlemen”—label
executives, talent scouts and other traditional
tastemakers—are losing clout, experts
say. Technical middlemen—artist managers,
concert promoters, festival organizers, and
social-media promoters, as well as DJs and roadies
who mix sound at shows—are gaining it.
|
|
Let’s imagine you and
your musician friends want to host a special
performance at your home. You are sitting down
to plan this event and begin thinking about
this really great restaurant that would provide
excellent wine and hors d’oeuvres for
all of the guests. It’s a newer joint
in the neighborhood; you’ve been there
before and really dig the food. So you call
up the place and get the owner on the phone,
asking him if he’d like to come cater
his wine and food at your gig. The guy agrees
right away, desperate and excited for this new
opportunity.
|
|
Follow these
steps and maybe you will see a change in the
results. Pay it forward and keep your eyes on
the end goal!
|
|
Your press photos help define
who you are as an artist. Poor quality, generic,
or uninteresting photos generally get the same
type of preconceptions with the music (quality,
marketability, etc.) Local media love featuring
artists, but won’t include photographs
unless they are captivating or interested. It
would be nice to say that it’s all about
the music but the first impression drawn is
almost always from the photos (they come up
on any website and I end up staring at the photos
until the music starts up). Like anything else
you do with your career, you want something
that stands out. You want it to reflect yourself
and your band. You want good quality.
|
|
|
Improving a career in music is easily
attainable using simple concepts in your everyday
affairs. When these three concepts here are used your
ability to get jobs will improve a lot. You will come
across as a professional and put people at ease when
a task is given to you. Remember, the most important
part is implementing these tips into your everyday
life.
|
|
Before the internet, you would have
to cold-call places out of the phone book and hit
the pavement in whatever weather to gain new prospects.
Or even mail out mass quantities of post cards in
order to get your brand in front of the masses. Now
that we have the ability to reach online, one flyer
posted on a social media website like Facebook or
Instagram can reach a town's worth of people. This
makes networking a whole lot easier than it once was.
|
|
The dream goal of most musicians
is to get an illustrious record deal from a major
recording label. But what most don't know is that
record deals come in a range options and can often
be confusing for neophyte artist (and some legends
who should know better!!).In order to forge through
the music business, knowing the types of agreements,
some legal terms and insider jargon, will certainly
be a great asset when the opportunity for that recording
contracting is on the table.
|
|
A raving, loyal fan base, premium
high priced gigs and worldwide recognition. Isn't
that what all bands and musicians hope and pray for?
Of course it is. If they're honest... But these are
just some of the surface rewards of what an effective
band promotions campaign can do for you. The deeper
satisfaction of knowing you can be a full time musician
without having to slave away at a 9-5 is where the
REAL satisfaction comes from.
|
|
It kinda sucks, and I've even been
guilty of this sin as well, but when most musicians
and music business "experts" discuss how
to market a band, they tend to turn into corporate
slinging business monsters. I'm sure you've heard
it before - and probably more than once or twice from
me - you've got to treat your music like a business.
It's the only way you'll find any success in the incredibly
competitive music industry. The bottom line is that
although this can sometimes take the fun out of being
a musician, it's 100% bang-on true. But... the good
news is the methods you use to market your music don't
necessarily have to be boring and they're certainly
not difficult to put into action.
|
|
|
Experience a piece
of our American heritage as you bask in the
shadows of New Orleans. Famous for it's
music,New Orleans features some of the best Blues,
Jazz and Rock & Roll you will find anywhere.
|
|
Guitarist Steve Price is packing
his bags to board a plane to attend the Slamdance
Film Festival in Utah to view “I Am Thor”,
a documentary about playing guitar with the hammer-wielding
rock warrior Thor, a body builder turned glam rock
metal god popular in the early 1980s. The independent
film documents Thor's precarious early career and
the past thirteen years of his attempted comeback
and is interwoven with footage from the band's early
tour days.
|
|
Email lists are still one of the
best direct-communication tools available, and you
should use that to your advantage. The people on your
email list have signed up because they want to hear
from you, or they've purchased something from you
in the past. Send regular updates about your upcoming
online event to your email list. Make it special and
exclusive. Don't make the mistake of sending just
one email highlighting your upcoming gig. Schedule
reminders and add new info each time.
|
|
Only a small percentage
of musicians will ever become professionals. This
is because many of them spend years wasting their
time with things that do not lead them closer to their
musical goals. Although a lot of musicians really
try hard to make it in this industry, they only become
more disappointed when their efforts don't pay off
in the end. Here are six reasons why you have not
become a professional musician yet, and what you should
do to immediately move your career forward.
|
|
When you put your heart and soul
into something for years and years, it can be hard
to leave it behind. It can be even harder, however,
to tell whether something's truly right for you after
a certain point. The biggest reasons to be in a band
are to find fulfillment from making music and to have
a good time. If neither of those things are happening
for you, then it could be possible that quitting the
band will actually improve the rest of your life.
Here are five signs that your band isn't right for
you.
|
|
Follow these steps
and maybe you will see a change in the results. Pay
it forward and keep your eyes on the end goal!
|
|
Your press photos help define who
you are as an artist. Poor quality, generic, or uninteresting
photos generally get the same type of preconceptions
with the music (quality, marketability, etc.) Local
media love featuring artists, but won’t include
photographs unless they are captivating or interested.
It would be nice to say that it’s all about
the music but the first impression drawn is almost
always from the photos (they come up on any website
and I end up staring at the photos until the music
starts up). Like anything else you do with your career,
you want something that stands out. You want it to
reflect yourself and your band. You want good quality.
|
|
Those of us who have been around
for over 40 years know a little bit more about the
evolution of the music industry than our younger counterparts.
Remember the 45? You know back when the Jackson 5
was a group and Michael Jackson had an afro? You had
an A side and a B side. Then there was the LP and
the 8 tracks. Most of us bought singles in those days
because it was all we could afford. However, we got
the music we wanted and record labels made money.
Even when the tape recorder came out and we started
recording our favorite songs off of the radio the
industry still made money.
|
|
A band is a unique and complex relationship,
and with so many different personalities and goals
among band members, things can sometimes get tricky.
Some people are direct, some are passive, some are
more organized than others. "Musicians are sensitive
and odd creatures," says songwriter/guitarist
Paul Hansen of indie folk band The Grownup Noise.
"So inevitably, it will be a dysfunctional, but
hopefully loving, family."
|
|
Mental illness and music isn't a
subject that is often discussed, but it is one that
affects a disproportionate number of musicians. Many,
probably most of us, can think of a time that music
listening to it, playing guitar, writing and performing
songs helped us through a difficult time in our lives.
I know I can. Playing music is a way of achieving
catharsis, to deal with our emotions by expressing
them. I'm a long way from the troubled teenager I
once was, but even now, there's nothing like grabbing
an axe and rocking out to lift my mood if I get low.
|
|
These are some of the worst and most
common hoaxes because they seem so benign but they
can easily cost you a lot of money without getting
you anywhere. They tend to disguise themselves in
the form of some sort of legitimate opportunity from
a legitimate business whether it be getting your song
played on the radio, getting you a record deal, or
letting you play a showcase in front of a big time
A&R rep. The common thread though is that they
will all ask you for money to get access. With the
exception of membership-based organizations like ASCAP
or The Recording Academy, press, marketing, or radio
promotion agencies, or a qualified professional industry
consultant (determining that requires research though),
there are hardly any legitimate music businesses that
will charge you in order to get access to a career
opportunity (and honestly the aforementioned companies
aren't charging you for access, they're charging for
their services- but I didn't want to confuse anyone
into thinking they are not legitimate businesses because
they cost money).
|
|
Congratulations, your album is finally
finished and you are ready to share your masterpiece
with the world! You have already read "The Secret
to Using Social Media to Build a Massive Base"
and you are eager to implement those ideas and promote
your project. You have gathered a list of websites,
DJs, booking agents, A&R's and promoters to begin
networking. Well... on that list is a sketchy promoter,
an unethical booking agent and a commercial DJ waiting
to take your money. There are members of the music
community who prey on unsigned musicians. "The
music business is a cruel and shallow money trench,
a long plastic hallway where thieves and pimps run
free, and good men die like dogs. There's also a negative
side."-Hunter S. Thompson.
|
|
|
Experience a piece
of our American heritage as you bask
in the shadows
of New Orleans. Famous for it's music,New
Orleans features some of the best Blues, Jazz
and Rock & Roll you will find anywhere.
|
|
Guitarist Steve Price is packing
his bags to board a plane to attend the Slamdance
Film Festival in Utah to view “I Am Thor”,
a documentary about playing guitar with the
hammer-wielding rock warrior Thor, a body builder
turned glam rock metal god popular in the early
1980s. The independent film documents Thor's
precarious early career and the past thirteen
years of his attempted comeback and is interwoven
with footage from the band's early tour days.
|
|
Email lists are still one of
the best direct-communication tools available,
and you should use that to your advantage. The
people on your email list have signed up because
they want to hear from you, or they've purchased
something from you in the past. Send regular
updates about your upcoming online event to
your email list. Make it special and exclusive.
Don't make the mistake of sending just one email
highlighting your upcoming gig. Schedule reminders
and add new info each time.
|
|
Only a small
percentage of musicians will ever become professionals.
This is because many of them spend years wasting
their time with things that do not lead them
closer to their musical goals. Although a lot
of musicians really try hard to make it in this
industry, they only become more disappointed
when their efforts don't pay off in the end.
Here are six reasons why you have not become
a professional musician yet, and what you should
do to immediately move your career forward.
|
|
When you put your heart and
soul into something for years and years, it
can be hard to leave it behind. It can be even
harder, however, to tell whether something's
truly right for you after a certain point. The
biggest reasons to be in a band are to find
fulfillment from making music and to have a
good time. If neither of those things are happening
for you, then it could be possible that quitting
the band will actually improve the rest of your
life. Here are five signs that your band isn't
right for you.
|
|
Follow these
steps and maybe you will see a change in the
results. Pay it forward and keep your eyes on
the end goal!
|
|
Your press photos help define
who you are as an artist. Poor quality, generic,
or uninteresting photos generally get the same
type of preconceptions with the music (quality,
marketability, etc.) Local media love featuring
artists, but won’t include photographs
unless they are captivating or interested. It
would be nice to say that it’s all about
the music but the first impression drawn is
almost always from the photos (they come up
on any website and I end up staring at the photos
until the music starts up). Like anything else
you do with your career, you want something
that stands out. You want it to reflect yourself
and your band. You want good quality.
|
|
|
Those of us who have been around
for over 40 years know a little bit more about the
evolution of the music industry than our younger counterparts.
Remember the 45? You know back when the Jackson 5
was a group and Michael Jackson had an afro? You had
an A side and a B side. Then there was the LP and
the 8 tracks. Most of us bought singles in those days
because it was all we could afford. However, we got
the music we wanted and record labels made money.
Even when the tape recorder came out and we started
recording our favorite songs off of the radio the
industry still made money.
|
|
A band is a unique and complex relationship,
and with so many different personalities and goals
among band members, things can sometimes get tricky.
Some people are direct, some are passive, some are
more organized than others. "Musicians are sensitive
and odd creatures," says songwriter/guitarist
Paul Hansen of indie folk band The Grownup Noise.
"So inevitably, it will be a dysfunctional, but
hopefully loving, family."
|
|
Mental illness and music isn't a
subject that is often discussed, but it is one that
affects a disproportionate number of musicians. Many,
probably most of us, can think of a time that music
listening to it, playing guitar, writing and performing
songs helped us through a difficult time in our lives.
I know I can. Playing music is a way of achieving
catharsis, to deal with our emotions by expressing
them. I'm a long way from the troubled teenager I
once was, but even now, there's nothing like grabbing
an axe and rocking out to lift my mood if I get low.
|
|
These are some of the worst and most
common hoaxes because they seem so benign but they
can easily cost you a lot of money without getting
you anywhere. They tend to disguise themselves in
the form of some sort of legitimate opportunity from
a legitimate business whether it be getting your song
played on the radio, getting you a record deal, or
letting you play a showcase in front of a big time
A&R rep. The common thread though is that they
will all ask you for money to get access. With the
exception of membership-based organizations like ASCAP
or The Recording Academy, press, marketing, or radio
promotion agencies, or a qualified professional industry
consultant (determining that requires research though),
there are hardly any legitimate music businesses that
will charge you in order to get access to a career
opportunity (and honestly the aforementioned companies
aren't charging you for access, they're charging for
their services- but I didn't want to confuse anyone
into thinking they are not legitimate businesses because
they cost money).
|
|
Congratulations, your album is finally
finished and you are ready to share your masterpiece
with the world! You have already read "The Secret
to Using Social Media to Build a Massive Base"
and you are eager to implement those ideas and promote
your project. You have gathered a list of websites,
DJs, booking agents, A&R's and promoters to begin
networking. Well... on that list is a sketchy promoter,
an unethical booking agent and a commercial DJ waiting
to take your money. There are members of the music
community who prey on unsigned musicians. "The
music business is a cruel and shallow money trench,
a long plastic hallway where thieves and pimps run
free, and good men die like dogs. There's also a negative
side."-Hunter S. Thompson.
|
|
|
When you put your heart and
soul into something for years and years, it
can be hard to leave it behind. It can be even
harder, however, to tell whether something's
truly right for you after a certain point. The
biggest reasons to be in a band are to find
fulfillment from making music and to have a
good time. If neither of those things are happening
for you, then it could be possible that quitting
the band will actually improve the rest of your
life. Here are five signs that your band isn't
right for you.
|
|
We’ve all been there—those
moments just before downbeat when you realize
something is terribly wrong. Yes, as professional
as we like to think we are, even the most seasoned
touring veteran has those “oh crap”
moments, where a piece of equipment is either
malfunctioning or missing altogether.. A million
things can go wrong in the minutes just before
a gig; however, it’s usually the little
things (that could have been avoided) that cause
the biggest headaches. We think if you have
a pre-packed emergency kit with all of the essentials
above, you’ll be set for most challenges
that might come your way. Good luck!
|
|
My #1 advice is to do
as much as you can to alienate your audience.
Make them feel like you're not someone who could
even be spoken to or approached. I find an air
of superiority is always quite useful. One of
the easiest way to go about this is to make
sure you look down on everyone around you, including
your peers. Remember, people that are more successful
than you are just 'sell outs' with no artistic
integrity. Also, look really disinterested at
all times. Treat everyone like this and they'll
be thinking "who the hell is this guy?"
in no time.
|
|
Follow these
steps and maybe you will see a change in the
results. Pay it forward and keep your eyes on
the end goal!
|
|
Your press photos help define
who you are as an artist. Poor quality, generic,
or uninteresting photos generally get the same
type of preconceptions with the music (quality,
marketability, etc.) Local media love featuring
artists, but won’t include photographs
unless they are captivating or interested. It
would be nice to say that it’s all about
the music but the first impression drawn is
almost always from the photos (they come up
on any website and I end up staring at the photos
until the music starts up). Like anything else
you do with your career, you want something
that stands out. You want it to reflect yourself
and your band. You want good quality.
|
|
The end of the year is upon
us, and that means it's time for resolutions!
We've all made the typical resolutions before
– get in better shape, stop eating junk
food, quit smoking, spend less money –
but what about those specific to you as a musician?
There are plenty of things you may want to do
in 2015, but we'd suggest starting with these
six resolutions to really kick your music career
into high gear. Don't forget to customize them
(e.g. "I'm going to release one new song
a month," or "I'm going to attend
at least three music conferences by the end
of the year") to align them with what you
personally want to achieve!
|
|
|
Those of us who have been around
for over 40 years know a little bit more about the
evolution of the music industry than our younger counterparts.
Remember the 45? You know back when the Jackson 5
was a group and Michael Jackson had an afro? You had
an A side and a B side. Then there was the LP and
the 8 tracks. Most of us bought singles in those days
because it was all we could afford. However, we got
the music we wanted and record labels made money.
Even when the tape recorder came out and we started
recording our favorite songs off of the radio the
industry still made money.
|
|
A band is a unique and complex relationship,
and with so many different personalities and goals
among band members, things can sometimes get tricky.
Some people are direct, some are passive, some are
more organized than others. "Musicians are sensitive
and odd creatures," says songwriter/guitarist
Paul Hansen of indie folk band The Grownup Noise.
"So inevitably, it will be a dysfunctional, but
hopefully loving, family."
|
|
Mental illness and music isn't a
subject that is often discussed, but it is one that
affects a disproportionate number of musicians. Many,
probably most of us, can think of a time that music
listening to it, playing guitar, writing and performing
songs helped us through a difficult time in our lives.
I know I can. Playing music is a way of achieving
catharsis, to deal with our emotions by expressing
them. I'm a long way from the troubled teenager I
once was, but even now, there's nothing like grabbing
an axe and rocking out to lift my mood if I get low.
|
|
These are some of the worst and most
common hoaxes because they seem so benign but they
can easily cost you a lot of money without getting
you anywhere. They tend to disguise themselves in
the form of some sort of legitimate opportunity from
a legitimate business whether it be getting your song
played on the radio, getting you a record deal, or
letting you play a showcase in front of a big time
A&R rep. The common thread though is that they
will all ask you for money to get access. With the
exception of membership-based organizations like ASCAP
or The Recording Academy, press, marketing, or radio
promotion agencies, or a qualified professional industry
consultant (determining that requires research though),
there are hardly any legitimate music businesses that
will charge you in order to get access to a career
opportunity (and honestly the aforementioned companies
aren't charging you for access, they're charging for
their services- but I didn't want to confuse anyone
into thinking they are not legitimate businesses because
they cost money).
|
|
Congratulations, your album is finally
finished and you are ready to share your masterpiece
with the world! You have already read "The Secret
to Using Social Media to Build a Massive Base"
and you are eager to implement those ideas and promote
your project. You have gathered a list of websites,
DJs, booking agents, A&R's and promoters to begin
networking. Well... on that list is a sketchy promoter,
an unethical booking agent and a commercial DJ waiting
to take your money. There are members of the music
community who prey on unsigned musicians. "The
music business is a cruel and shallow money trench,
a long plastic hallway where thieves and pimps run
free, and good men die like dogs. There's also a negative
side."-Hunter S. Thompson.
|
|
|
|
