The silver screen, from celluloid to cathode, has always
been domain to the transmission of rock and roll's narrative,
if not the music itself. Elvis constituted a whole genre
of film, "the Elvis movie", wherein the singer was transformed
into action hero, heartthrob and a friend to children and
animals everywhere, even doing his own thinly vieled biopic
early on in Loving
You. The Beatles starred in several movies about
themselves, depicting not only their rise to fame but also
their break up, and even suffered their own Saturday
morning cartoon show! As much image as it is sound,
rock and roll is perfect for moving imagery, and most every
major and minor moment in its history has been documented
and/or mytholgized on film or TV. But some works are better
known than others. Here's my list of the best of the rarest,
broken down by type...
BIOPICS:
The musician docudrama has a long history, particularly
for making stars. Sal Mineo's Gene Krupa set the bar and
Gary Bussey's career could only go downhill after his stunning
debut turn as Buddy Holly. Bird, Ray, What's
Love Got To Do With It, even Living Proof: The Hank
Williams, Jr. Story comprise a most fecund genre, which
was delightfully parodied by 2007's Walk Hard: The Dewey
Cox Story. But if you want an eyeball peeling over-the-top
rock and roll biopic that makes Dewey Cox seen understated,
I suggest you try to find Shout:
The Johnny O'Keefe Story from 1986. A
two part mini-series from down under, it unreels the true
life fable of Australia's Elvis and ends up telling us
everything we ever needed to know about rock stardom. This
is one crazy masterpiece!
CONCERTS:
There's the concert documentaries of a single
act, like U2: Rattle & Hum or Madonna: Truth
or Dare (the model for all these being 1970's Elvis:
The Way It Is, about the king's comeback Vegas
debut). This sub-genre produced the first "mocumentary" This
Is Spinal Tap from 1984, which subsequently overshadowed
even the most serious attempts at perpetuating the rock
band documentary.
Then there's the 'festival' film. While it would seem
this sub-genre is distinct to the late 60's/early 70's,
bookended by the classics Woodstock and Gimme
Shelter, these multi-act statements actually have a
broader span, from 1964's The
T.A.M.I. Show to 1981's Urgh!
A Music War. Must-see's in the festival genre include Wattstax, Soul
To Soul, Our
Latin Thing and the amazing Let
the Good Times Roll from 1973, which shows original
rock gods like Little Richard and Bo
Diddley reclaiming their legacy live on stage.
Once the rarest festival film of all for being unfinished
and unreleased for 30+ years, Festival
Express finally came out in 2003. Documenting a
troubled tavelling rock concert featuring 60's icons like
The Gateful Dead and Janis Joplin, it highlights the period's
tension between audience and performers, between the hippy
ideals of freedom and the captialism of show business.
This subtext forms the entire basis of a festival film
few have ever seen, The
Day The Music Died. Stictched together
in 1977 with entirely made-up scenes, it documents the
ill-fated New York Pop Festival of 1970, an event completely
undone by the revolutionary politics of the day. To quote
one IMDB reviewer, it's "an amazing mess of a movie about
an amazing mess of an era".
BEHIND THE SCENES:
Backstage dramas are a dime a dozen,
and rock and roll has been fodder for a few. Best known
is perhaps 1980's The
Idolmaker, based on promoter/producer Bob Marcucci's
creation of Frankie Avalon and Fabian. Seldom seen is 1975's That's
the Way of the World, featuring Harvey
Keitel as a record producer trying to keep his soul while
serving both his label bosses and working on his own project,
a band played by none other than Earth, Wind and Fire!
ZEITGEIST:
There are many movies that have tried to capture
the feeling of livng in moments of rock and roll history,
some better, and better known, than others. For Beatlemania,
nothing can beat the forgotten ensemble flick I
Wanna Hold Your Hand from 1978. The much rarer American
Hot Wax of the same year may be historically inacurate
on many levels, but few films have romaticized the advent
of rock and roll better.
Tom Hank's That
Thing You Do! from 1996 tried earnestly to
capture what is was like to be a band going from the
garage to near stardom in 1964 but fell flat. Better
at capturing that trajectory but in a much different
era is the impossibly rare Ladies
and Gentlemen, The Fabulous Stains from
1982. Not only does it show what a punk rock epiphany
was really like, it is a trenchant commentary on media,
stardom and being a female. This stunning gem never
saw a proper release in its day and was unavailable
on DVD or even VHS until recently released on DVD by
Rhino in 2008!
Bonefish Johnny is an armchair musicologist
and roots rocker located
in south Florida. Johnny can be reached at his
website bonefishjohnny.com
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