By Bonefish Johnny

Cry Baby, Baby!

Electric guitar is the signifying ingredient of rock and roll, the primal essence demarcating it from the dominating horns and keyboards of its boogie woogie roots. And if we were to seek a point where good old rock and roll became a modern thing we simply call rock music, there's no better benchmark than that electric guitar effect known as the wah wah pedal. When did modern rock begin? Not before the wah wah pedal.

Prior to the wah wah's introduction in 1966, electric guitarists effected their sound with methods that had been around for a long time. The soaking wet reverberation of surf music's spring tank units and the echo of tape delay were based on technology that dated back to the 1930's. Even the psychedelic sustain of the "fuzz box" was built around the simple concept of overdrive and distortion, evident on early recordings whenever an electric guitarist really cranked it up. The wah wah was something completely new.

As shown in the hour-long documentary Cry Baby: The Pedal That Rocks The World, the wah wah pedal was born out of an organ company's need to replace a $4 switch with a 30 cent potentiometer. The resulting device's ability to shape tone by sweeping through frequencies with a pedal operated pot immediately inspired all who heard it. The vocal quality brought to mind the Harmon mute style of trumpet playing, in particular the blowing on Clyde McCoy's "Wah Wah Trumpet". Thus you will see Clyde McCoy's name on the bottom of early wah wah units, as the term was dutifully licensed from him!

This and other fabulous facts are revealed in the film. Defining rock moments that ushered in the wah wah's ubiquity are correctly noted, like Cream's "Tales of Brave Ulysses", Hendrix on "Voodoo Chile" and Terry Kath's tour de force on Chicago's "29 or 6 to 4". As we know, the pedal's use quickly grew beyond rock and was perhaps even usurped by its prominent position in funk and soul music (for most, wah wah = "Shaft"). From there it became standard in pop music (and porno movie soundtracks), leading to its overuse and fall from favor, epitomized by either its zenith or nadir, the choked keening riffs in the theme song of "Three's Company".

The wah wah was revived in the late 80's by grunge and metal acts, and one poignant part of the doc is the late Dimebag Darrell of Pantera gesturing like a conductor as he illustrates the expressiveness of this iconic device. It remains standard equipment to this day, and as long as there are guitarists rocking out, the wah wah will persist.

 

 

Bonefish Johnny is an armchair musicologist and roots rocker located in south Florida. Johnny can be reached at his website bonefishjohnny.com

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